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Phil Kline's Unsilent Night

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7 PM gather at the Chapel, 7:30 begin procession; FREE! All ages are welcome. Bring a boom box or some other playback device, and be sure to have fresh batteries.

   

Unsilent Night is an original work by New York composer Phil Kline, written specifically to be heard outdoors in the month of December. It takes the form of a street promenade in which the audience becomes the performer. Each participant gets one of four tracks of music in the form of a cassette, CD, or MP3 (download here). Together, all four tracks comprise Unsilent Night. The fact that the participants play different "parts" simultaneously helps create the special sound of the piece. Participants carry boomboxes, or anything that amplifies music, and simultaneously start playing the music. They then walk a carefully chosen route through their city’s streets, creating a unique mobile sound sculpture which is different from every listener's perspective.

This is the third year in a row that local composer Josh Parmenter has led the Seattle version on the Winter Solstice. So it now seems to be a tradition, with folks of all ages coming out to participate. Meeting in the Chapel at Good Shepherd Center, we'll get set up, start our boomboxes, and then walk in a procession through the streets of Wallingford for about an hour.

in winter dark: a butoh/sound improvisation

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only)

1. Epos Nemo Latrocinium: an extraordinary recurring ensemble featuring: noisepoetnobody (analog synthesis), Joy Von Spain (voice+ piano), Tom Swafford (violin), Dean Moore (percussion), with Vanessa Skantze (butoh)

2. An excerpt from RECEIVING LITTLE LIGHT, AND LITTLE WATER– Danse Perdue, featuring Sierra Catanzaro, Alexander Riding.

drone on psych noise

Wayne Horvitz: Music in Other Rooms (55 Redux)

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only). Presented by Nonsequitur.

Wayne Horvitz draws from the large body of audio samples recorded at Ft. Worden in Port Townsend for 55 – Music and Dance in Concrete to create a live performance score that uses that material as its foundation. Writing for the phenomenal pianist Cristina Valdes and Trio Parladote, Horvitz has generated a suite of sonically rich and deeply textured compositions. As part of the evening’s program, Mr. Horvitz will also perform improvisations for amplified piano and laptop.

Jacob Zimmerman & Lawson

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only).

Jacob Zimmerman presents the second performance ever of Roscoe's Mitchell's Nonaah for Lawson (2013) as premiered last June at Benaroya Hall. The program also includes a new piece for solo saxophone played by Zimmerman, and a performance by the Zimmerman/Gus Carns duo.

Spontaneous Rex

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Comprised of Jake Sele (piano/keyboards), Matt Williams (electric guitar), Nick Lonien (bass), and Joe Eck (drums), Spontaneous Rex focuses on originals and covers with an eclectic range of influences, including spontaneous composition, 70s fusion, electronic improvisation, prog, and contemporary jazz, all seamlessly melded together in a unique, mind-expanding, limit-pushing musical experience.

Coward + Kaleidosaur + Pitbull

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Coward is a guitar improv duo, touring the west coast in support of their new cassette release on their own imprint, Idiopathic Records. Kaleidosaur are local audio/video collagists specializing in sonic journeys of tonal existential bliss. Pitbull are Seattle's very own acclaimed underground electro-experimentalists, Sokai Stilhed and Aural Antithesis, joining forces for a modular coalescing of the hearts and minds. Pure analog tone worship.

Crotchets, Quavers . . . and Silicon Parchment


Crotchets, Quavers . . . and Silicon Parchment

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7:30 PM; $5 - $15 sliding scale suggested donation at the door (cash/check only); presented by DXARTS

A two-night festival of new and recent works for electronics, video and interactive media in surround sound. Tonight's program:

Olivier Messiaen, Des canyons aux étoiles – VI. Appel interstellaire (1971) w/ Josiah Boothby, horn
Hector Bravo Benard, Styrotron
Marcin Paczkowski, Electronic Study No. 1
Sergio Luque, Daisy
Robert Blatt, some spatial abstractions
Donald Craig& Eunsu Kang, Aural Fauna and Bower Bird

Michael Bisio/Matthew Shipp duo

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(photo: Marek Lazarski)

8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only).

Matthew Shipp has played piano since he was 5 years old. He studied at the New England Conservatory of Music with saxophonist Joe Maneri and cut his teeth working with saxophonists Roscoe Mitchell and David S. Ware and bassist William Parker. Shipp holds two enduring label relationships with Hatology and Thirsty Ear, where he also serves as curator and director of the label’s Blue Series.

Bassist Michael Bisio, no stranger to Seattle audiences, invariably astounds with the beauty of his tone and the intensity of his very personal musical language. As a recording artist, Bisio appears on nearly 100 CDs and has had vital working relationships with Joe McPhee, Charles Gayle, Barbara Donald, Bill Smith, and Stuart Dempster, among any others. As a composer, he has been recognized with nine project grants from various arts organizations; in 2003, he was awarded a Washington State Artist Trust Fellowship.

Shipp and Bisio’s most recent duo release Floating Ice (Relative Pitch Records, 2012) has received immediate praise:

"These are two at the top of the era and they behave like it on this wonderful disk. It's beyond category. Avant, sure. But essential no matter what you call it." - Gapplegate Music Reviews

"Floating Ice is a revealing portrait of two master improvisers engaged in spontaneous discourse, with every nuance of their attentive interplay captured in minute detail. A testament to their shared chemistry, this session suggests the beginning of a long and fruitful collaboration." - All About Jazz

"It's free-jazz, but full of melody, and every sound counts. (****)" - The Guardian

Instead Of

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only)

The improvised music group Instead Of (Lori Goldston, cello; Angelina Baldoz, trumpet, bass guitar and flutes; Jaison Scott, drums; and Torben Ulrich, voice/texts) reunites upon Ulrich’s return to Seattle with special guests Stuart Dempster, Beth Graczyk, Susie Kozawa and Steve Peters.

Elizabeth A. Baker, solo piano

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only)

Florida-based pianist and composer Elizabeth A. Baker brings a solo concert of modern works spanning a dynamic range of styles and emotional content. Blending acoustic piano with electronics, the recital features music of Philip Glass, Arvo Pärt, and the rarely-played Visionary Landscapes by Alan Hovhaness, as well as original works composed by Ms. Baker, including the world premiere of her Magnetic Resonance, a surprisingly romantic two-movement composition for MRI-piano duet.

Celebrated for her “terrifying dynamic range,” as well as unique sensitivity and ability to sculpt her performance for the acoustics of a space, Elizabeth A. Baker is a dramatic performer with an honest, near-psychic connection to the music. She is dedicated to promoting new music and has a passion for making rare concert works accessible to the general public. As a composer, her understanding of sonic space pairs with a unique eclectic voice, making for a spatial and auditory experience of music.

Seattle Phonographers Union

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only)

The Seattle Phonographers Union is a collective of artists with backgrounds in various media who improvise with unprocessed field recordings. Individual members gather sounds from the world around us, spontaneously combining them in delightful and surprising ways that offer listeners a fresh perspective on the sonic wonders that surround us every day.

Tonight they celebrate the release of their new LP on Seattle's Prefecture Records, Building 27 WNP5, a live album recorded in two astonishingly reverberant locations – an old airplane hangar at Magnuson Park and a cooling tower at a never-completed nuclear power station.

29th Seattle Improvised Music Festival

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only); presented by Seattle Improvised Music and Nonsequitur, with assistance from City of Seattle Office of Arts & Culture.

The Seattle Improvised Music Festival returns for its 29th year, bringing esteemed visiting artists and talented local musicians together for three nights of freely improvised music representing an array of approaches and sensibilities. This year's out-of-town guests include guitarist Joe Morris (Boston), clarinetist Matt Ingalls (SF Bay Area), and the duo of Bonnie Jones, electronics and Andrea Neumann, modified autoharp (Baltimore/Berlin). Tonight's line-up:

Matt Ingalls, solo clarinet
Joe Morris/Bill Horist/Jeffrey Taylor, guitars
Matt Ingalls/Paul Hoskin/Beth Fleenor/Jenny Ziefel, clarinets

29th Seattle Improvised Music Festival

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only); presented by Seattle Improvised Music and Nonsequitur, with assistance from City of Seattle Office of Arts & Culture.

The Seattle Improvised Music Festival returns for its 29th year, bringing esteemed visiting artists and talented local musicians together for three nights of freely improvised music representing an array of approaches and sensibilities. This year's out-of-town guests include guitarist Joe Morris (Boston), clarinetist Matt Ingalls (SF Bay Area), and the duo of Bonnie Jones, electronics and Andrea Neumann, modified autoharp (Baltimore/Berlin). Tonight's line-up:

Joe Morris, guitar solo
Andrea Neumann/Gust Burns, autoharp & piano
Bonnie Jones/Jonathan Way/Christian Pincock/Naomi Siegel, electronics & trombones


29th Seattle Improvised Music Festival

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only); presented by Seattle Improvised Music and Nonsequitur, with assistance from City of Seattle Office of Arts & Culture.
The Seattle Improvised Music Festival returns for its 29th year, bringing esteemed visiting artists and talented local musicians together for three nights of freely improvised music representing an array of approaches and sensibilities. This year's out-of-town guests include guitarist Joe Morris (Boston), clarinetist Matt Ingalls (SF Bay Area), and the duo of Bonnie Jones, electronics and Andrea Neumann, modified autoharp (Baltimore/Berlin). Tonight's line-up:

Joe Morris/Jacob Zimmerman/Gust Burns, guitar/alto sax/piano
Matt Ingalls/Greg Campbell/Paul Kikuchi, clarinet/percussion
Bonnie Jones/Andrea Neumann, electronics/autoharp

Vanessa DeWolf + Vidya Guhan + Reflective Collective

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The Fisher Ensemble presents an evening of movement-based and multimedia works that explore new and traditional takes on ritual and narrative. Vanessa DeWolf’s post-disciplinary improvisations are a mix of text, dance, improvisation, colors, costumes and more. Vidya Guhan is a principal dancer of the From Within Nucleus Dance Company. Bharatanatyam is a classical dance form that originated in the temples of South India thousands of years ago. The Reflective Collective is a Los Angeles-based collaboration with Angela Grillo: vocals, Susan Joseph (sackjo22): vocals and electronics, and Evie Ruth: vocals. PRAYER unveils a shift in artistic and conceptual direction for the collaborators who finally understand that their job is to be guided by the imaginal as opposed to vice versa.

Seattle Modern Orchestra

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8:00 PM; $20 general/$10 students & Seniors, online in advance.

The cello has a long history of rich repertoire that continues to this day. Come explore how modern composers use the cello to create new forms of expression. Seattle Modern Orchestra is pleased to introduce French cellist extraordinaire Séverine Ballon to Seattle, who will perform contemporary works by quintessential composers of our century. Join us to discover the cello's new identity in the 21st century, as performed by one of the world's most innovative performers. Program: Ricercare una melodia by Jonathan Harvey; New Work by Jérémy Jolley; Chant by Jonathan Harvey; IRE by Rebecca Saunders.

pincushioned

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/checks only). Presented by Nonsequitur.

pincushioned is the invention/fabrication of Arizona-based duo Barry Moon (Baz) and Doug Nottingham (Dug). Since 2007 they have been working from a remote/suburban desert bunker melding digital sounds and images with their analog counterparts – beating drums, destroying guitars, spinning dials, sliding faders, writing software, building instruments and projecting bizarre imagery. These garbage-pickers of music and art exploit anything/everything: Jay Z, Xenakis, or Rembrandt are no safer than Shostakovich, the Butthole Surfers, or Bill Viola from their synthesizing/thieving hands. They go beyond post-modernism and into pre”whatever”, creating an abstract body of interactive millennial media art. Their ethos/nihilism is evidenced by a DIY/DUI search for “digital answers for unasked questions” or “D.A.F.U.Q”. They play/labor laying down grooves/non-grooves in 4/4, 13/4, 17/5, etc. not to be clever (they are not), but because they feel it; they want you to feel it.

Only Trio + TKO Super Secret Sax Project

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/check only)

Only Trio is a chamber jazz ensemble composed of trumpet, trombone, and saxophone. Music is written and arranged by Steve O'Brien, and personnel are Kate Olson (soprano sax), Jacob Herring (trombone), and Steve O'Brien (trumpet). Only Trio started as a project for the Capitol Hill neighborhood. O'Brien wanted an ensemble to play his original tunes that didn't have to travel across the city to rehearse, and to give his unique "chamber jazz" arrangements a new voice. Hence, Only Trio was born; a collection of neighbors in the shadow of Cornish College of the Arts. O'Brien, Herring and Olson had experience playing together already as a part of Wayne Horvitz's Royal Room Collective Music Ensemble, and the continued collaboration seemed inevitable. The trio recorded their first studio EP last year, which is available on Bandcamp!


The TKO Super Secret Saxophone Project is Kate Olson, soprano; Ivan Arteaga, alto; Chris Credit, tenor; Peter Danie, baritone. Since moving to Seattle in 2010, Kate Olson has sought to find a way to collaborate with other saxophonists. Four years and a few false starts later, she's written a four-movement suite of minimalist-inspired music to commemorate her 31st birthday, and found the talented musicians to make it come to life. Each movement is 31 measures long and employs the compositions like jazz heads; improvisation is book-ended by the performance of each movement's written material. Their performance will consist of that suite (#1: Birth, Living, Dying, Decay) as well as Dis connect, a piece composed and arranged for saxophone quartet by Naomi Siegel.

Tom Baker: Deeply Lodged

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/check only). Presented by Nonsequitur.

Composer Tom Baker premiers three recent chamber works:

Invisible Cities (2011) is loosely based on stories by Italo Calvino, found in his novella of the same name, wherein Marco Polo describes to Kublai Kahn the fantastical, magical and improbable cities in his vast kingdom. The Seattle premiere is performed by the Corigliano Quartet.

Songs of Sleep & Dreams (2013), commissioned by trumpeter Brian Chin, is based on the sensual poetry of sleeping and dreaming written by Fernando Pessoa. It is set in the original Portuguese. Soprano Cherie Hugues, along with Brian Chin and percussionist Ben Thomas perform this world premiere.

Deeply Lodged (2014) The newest work on the program is premiered by pianist Cristina Valdes, with Paul Taub on flute and Jesse Canterbury on clarinet. The piece explores our relationship to memory: its powerful hold on us; how it changes and warps as it deceives us; the ways in which we share our memories with others; and the fear that our own memory ultimately disintegrates even as we cling desperately to it.

Neal Kosaly-Meyer & Jessika Kenney

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8:00 PM; $5 - $15 sliding scale suggested donation at the door (cash/check only)
Neal Kosaly-Meyer performs John Cage's Empty Words IV. Simultaneously, vocalist Jessika Kenney will sing three songs from Cage's Song Books, as well as a new composition-in-progress of her own, Complete Human for voice and electronics, using classical Persian texts.

Seattle Composers' Salon

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8:00 PM; $5 - $15 sliding scale suggested donation at the door.

The Seattle Composers’ Salonfosters the development, performance and appreciation of new music by regional composers and performers. At bi-monthly, informal presentations, the Salon features finished works, previews, and works in progress. Composers, performers, and audience members gather in a casual setting that allows for experimentation and discussion. Everyone is welcome! Composers for this month: Clement Reed, Coreena, Aaron Keyt, Jay Hamilton.

An Evening of Electronic Music

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Distorrent combines distorted synth lines with rich, multi-layered sound textures. The resulting sound is predominantly ambient, but contains moments of extreme intensity as well. Noisegasm is a mixture of synth, guitar and electronic textures. They also cover the spectrum from gentle, relaxed pieces to intense, aggressive ones. Coreena is a singer who posses a strong, distinctive voice. She has a unique electronic style that incorporates elements of jazz. Coreena trained at the Berklee College of Music in Boston. Ron Rice is a specialist in noise. Earplugs are highly recommended.

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